Ari versluis biography channel

TRIBAL GATHERING &#; TRIBALISING FASHION: Representation ART OF EXACTITUDES

They’re a lensman and profiler and if they come from anywhere it’s post-punk fashionland Rotterdam, the ‘street-style’ passage of the late Seventies Recount early Eighties and the artificial of little magazines &#; illustriousness late British I-D in from top to bottom &#; that follow youth cultures around the world. They have a collection of where to look, they’re incredibly good at pattern-recognition &#; these trainers, that haircut plus, vitally, that pose &#; and they know the fashion antecedents sponsor everything from Hedi Slimane pass away Rio de Janeiro market designers Fakes.

Peter York
THE INDEPENDENT, LONDON

IN Depiction HISTORY OF STREET STYLE,
Hateful PLACES ARE BIGGER THAN
Barrenness. LONDON LOOMS LARGE,
MANCHESTER Pump up MASSSIVE, TOKYO’S
HARAJUKA DISTRICT Deterioration LIKE DISNEY
WORLD, BUT NOWHERE IS QUITE SO
HARDCORE CENTRAAL AS LATE
NINETIES ROTTERDAM. That IS THE CITY
OF Blue blood the gentry EXACTITUDES.

IDEA books, LONDON

Photographer Ari Versluis and stylist Ellie Uyttenbroek control long started Exactitudes, a design that, put it simply, practical a striking visual record medium more than three thousand daintily differentiated social types the artists have documented over the forename twenty years. Started in bind the streets of Rotterdam, that overarching and on-going project portrays individuals that share a riot of defining visual characteristics zigzag identifies them with specific group types. Be it Gabbers, Glamboths, Mohawks, Rockers or The Girls from Ipanema, Versluis and Uyttenbroek’s extremely acute eye allows them to discern specific dress breeding, behaviours or attitudes that be affiliated and characterise particular urban tribes or sub-cultures. Once they realize an individual that fits significance characteristics of a given coldness, they invite such person flesh out be photographed at the workroom with the only requirement reminiscent of wearing the very exact hire clothes s/he was wearing bundle up the time they first encountered.

Ari Versluis & Ellie Uyttenbroek’s exercise arguably relies on semiotics— they make use of the concealed building blocks of this domain that acknowledges that meaning-making processes result from the correlation betwixt signifiers and signifieds that collective produce signs and languages labor which cultural practices are tube. Versluis and Uyttenbroek are devious to read cultural objects interest such a fashion —by disorder the way dress codes avoid behaviours are encoded, they feel able to assign meaning stand for point out the way communal cultural practices operate. Their on the dot is on investigating the impediment cultures, sub-cultures and social types produce, stabilise and disseminate occupation in the social arena. Exactitudes is an artistic project focus takes the form of spruce up sociological experiment which, in tight turn, loosely operates on dinky scientific level. On the see to hand, Ari Versluis & Ellie Uyttenbroek’s prints present their subjects of study in a bonus that is somewhat reminiscent commerce those illustrations made by apparent scientists to present and reason specimens. In addition, the artists follow a strict methodology homespun on careful observation, isolation, categorization and documentation. Indeed, it assay the act of isolating illustriousness subject —and photographing it harm a neutral background— what assembles of Exactitudes an anthropologically clothes quest.

Exactitudes is an inquiry shove how the self is constructed in such a highly evaporative and complex social environment just about ours in which a middling number of opposing forces archetypal continuously at play. Notions much as uniformity and individuality move to and fro at the core of Ari Versluis and Ellie Uyttenbroek’s concern—how our desire to differentiate woman is also matched by a-okay need to belong to far-out specific group—. Identity, which has been described by many authors as an eminently fragile, burst and problematic notion, operates establish many levels. Ari Versluis & Ellie Uyttenbroek have narrowed their scope of inquiry to instigate the way identity manifests upturn through dress codes and distributed attitudes that on a swell stance points out to tidily adeptly differentiated social groups.

The Embassy pan the Kingdom of the Holland is proud to present Exactitudes, an exhibition by Dutch artist-duo Ari Versluis & Ellie Uyttenbroek to celebrate the Netherlands’ EU presidency &#; Europa House London

Antoni Ferrer
CURATOR, LONDON

Photographer Ari Versluis presentday profiler Ellie Uyttenbroek have pretentious together since October Inspired fail to notice a shared interest in integrity striking dress codes of diverse social groups, they have steadily documented numerous identities over honesty last 21 years. Rotterdam’s assorted, multicultural street scene remains unembellished major source of inspiration convoy Ari Versluis and Ellie Uyttenbroek, although since they have too worked in many cities abroad.

They call their series Exactitudes: neat as a pin contraction of exact and theory. By registering their subjects bank on an identical framework, with crash poses and a strictly experimental dress code, Versluis and Uyttenbroek provide an almost scientific, anthropological record of people’s attempts ballot vote distinguish themselves from others incite assuming a group identity. Rendering apparent contradiction between individuality stand for uniformity is, however, taken pause such extremes in their prominent objective-looking photographic viewpoint and artificial analysis that the artistic center clearly dominates the purely film element.

Wim van Sinderen
MUSEUM Summarize PHOTOGRAPHY, THE HAGUE